Hi everyone!  I’m participating in a fun little film analysis list this month with the Desert Island DVDs crew, spearheaded by Mike over at You Talking to Me? The idea is to take a look at movies that brought forth a movement in film and inspired a bunch of generally lackluster copycats trying to cash in on the magic without creating any themselves.  When Mike came to us with the idea, there was one film that immediately popped into my mind as something great that inspired a whole lot of films that, well, aren’t.  Here’s my essay, and head on over to Mike’s blog all month long to see what other folks have designated as Movies That Made Going to the Movies Suck.

Starring Claudette Colbert and Clark Gable, it follows the story of Ellie Andrews, a young, spoiled woman who, in a fit of rebellion, marries fortune hunter Westley King.  Her father collects her before the marriage can be consummated only to have her run away once again.  On board a bus to New York City, she happens upon one Mr. Peter Warne.  Turns out he’s a down-on-his-luck reporter in need of a good story, so he blackmails her: either she gives him an exclusive, or he’ll rat her out to her father (and collect a handsome reward for it, too).  Not a complete cad, he does offer to help reunite her with her beloved quasi-husband (readers love a happy ending).

Now, because the story arc of 90 percent of romantic comedies to follow used this one as a template, we can guess what happens.  They hate each other at first, but she’s a little charmed by him, and he’s a little amused by her.  Charm and amusement turn to affection, and all of a sudden it’s “Westley who?”  Of course, there’s confusion and misunderstanding that leads to Boy Losing Girl, only to prove his worth and eventually get her back.

The difference between this film and the cookie-cutter romantic comedies that follow is that, even now, the film has a certain energy you can’t quite describe.  It feels fresh, even though we’ve seen it hundreds of times over.  Every once in a while, a romantic comedy captures some of that same spark, even if just for a moment.  And I think that’s why we keep coming back, hoping for the best from the genre, even when we’re not supposed to.  We’re waiting for that moment when the romantic comedy can prove its worth, regain its honor, and recapture those magical moments we experienced in the past together with films like It Happened One Night.  The truth is, when romantic comedy is at its best, the genre contains some of the greatest films and film moments in history.