Ditty’s Favorite Movies of 2010

As is tradition, here’s my year-end list of my favorite movies from 2010.

Writer/Director: Christopher Nolan

While this film left a lot of people amazed but feeling cold, I think a compelling case could be made that this is really an epic love story wrapped up in an incredibly ambitious storytelling device that sometimes works and sometimes just makes you say, “What the hell?”  Frankly, the rotating room fight scene with Joseph Gordon-Levitt is worth the price of admission alone.  I won’t go on at length here, as I think this film has practically been talked to death and I don’t want to give anything away for folks who haven’t seen it yet, but I don’t think anyone can deny it’s a landmark film.

Writer: Laeta Kalogridis / Director: Martin Scorcese

This is another film you can’t really talk much about without giving too much away.  Suffice to say, the performances were great, as expected from Leonardo Dicaprio and the perhaps under-appreciated Mark Ruffalo; the direction was excellent, never revealing too much but never letting the audience get more lost than they should have been; and the ending, in my opinion, was absolutely perfect.

Writer: Aaron Sorkin / Director: David Fincher

Seeing the evolution of a tool that has become so ubiquitous in our everyday lives was always bound to be interesting.  Jesse Eisenberg portrays Mark Zuckerberg in such a fashion that you never really know if he’s an asshole, just incredibly socially inept, or perhaps borderline autistic — all while inspiring some sympathy, mind you.  No small feat.  Justin Timberlake is appropriately slimy, but also with an impressive handle on the brink-of-sanity aspects of Sean Parker’s personality in the movie.  And I wanted to reach into the screen and give Eduardo a big hug the entire film, which made me incredibly interested to see what Andrew Garfield does with Spider-Man.  The framing of the story inside the two depositions was a particularly intelligent way to tell the tale, as it allowed us to see the emotional effects of the events down the road essentially as they were happening on screen.  With a writer like Aaron Sorkin, great writing isn’t much of a surprise, though.

Writer: Michael Arndt / Director: Lee Unkrich

I’m admittedly a bit of a crier when it comes to television and movies. I routinely find myself dehydrating on a weekly basis thanks to Glee, The Biggest Loser, Modern Family, or even Chuck or Community. It just happens. I’ve given up feeling ashamed and invested in waterproof mascara.  I own it.  Despite that, I was feeling a bit silly because I was literally sobbing my poor little childlike heart out during this movie — until I realized that 90 percent of the theatre was just as torn up as I was.  I think we all felt a bit ridiculous, but I think we all also probably went home afterward and found our old favorite toys, the ones with which we’ve never quite been able to part, and hugged them to bits.  And any film that grab that many people in such an intense way deserves a place in the top films of the year.

Writer: David Seidler / Director: Tom Hooper

There a number of elements that will always get me to a movie theatre.  One of them is Colin Firth.  Another is the non-sports-related underdog historical drama genre (see FROST/NIXON, for example).  And Geoffrey Rush will at least get me to look a movie’s way.  So, this movie had a lot going for it to begin with, but that also means it’s saddled with high expectations.  I put my go-see-this-non-mainstream-movie-with-me credibility on the line by convincing my family to see it on Christmas Day, and I was thrilled that the movie lived up not only to my own expectations but that my family enjoyed it, too.  Even my dad, who falls asleep at nearly every movie he sees, stayed awake the entire film — which I think is saying a lot for a historical drama.  The performances, as you’ve likely heard and would likely expect from the calibre of actors involved, are fantastic.  The cinematography was interesting for a movie like this: the angles were just a little off-kilter, a little uncomfortable, as if to mirror what King George must have been feeling.  The story itself is a rather amazing one, and it felt honestly told, not too sugary.  At the end, you feel the triumph, but also the weight of what is yet to be endured.  I’m hoping this film will be well-rewarded during the awards season.

Writers: Mark Heyman and Andres Heinz and John J. McLaughlin / Director: Darren Aronofsky

Half psychological horror, half meditation on the line between artistic passion and insanity, this dark film ended up one of my favorite films of the year.  It’s a bold film, trippy and sometimes difficult to watch. It’s really hard to sum up how I feel about it, to be honest.  I was utterly compelled in moments by Natalie Portman’s portrayal of Nina Sayers.  I found myself both captivated by and feeling intensely uncomfortable about Lily, portrayed by Mila Kunis.  And I was equally drawn to and disgusted by Vincent Cassel’s Thomas Leroy, director of the ballet troupe.  This is a movie that’s not going to hit for everyone, but when it does hit, it knocks the wind out of you.

Writer: Dan Fogelman / Directors: Nathan Greno, Byron Howard

Finally, Disney returns to form with a cheeky, romantic, gorgeous and musically memorable film to join its animated classics.  TANGLED had echoes of some of my favorite Disney films, like THE HUNCHBACK OF NOTRE DAME , SLEEPING BEAUTY, and CINDERELLA, but they all feel natural and original in this reimagining of Rapunzel.  It also has a bit of the feel of films like STARDUST and THE PRINCESS BRIDE.  The voice acting is pitch perfect.  The part of Flynn Rider feels like it was written for Zachary Levi, and Donna Murphy is fantastic as Mother Gothel.  Really, I can’t recommend this film highly enough, for anyone of any age.


It was going to be too difficult to expand my list to 10 or narrow it from about 17, so I said, “This is my list! Damn the man! Save the Empire!”  The following 10 movies are films that didn’t quite measure up to the seven above in one aspect or another (either critically or on enjoyability) but are still worth your time.

HOW TO TRAIN YOUR DRAGON: It was a strong year for animation; in another year, this might have made my Top 10.  It’s from the same folks who did LILO & STITCH, one of my favorite Disney movies of all time, and they deliver another movie with the same sort of quirkiness, darkness and heart that made that film so great.

KNIGHT & DAY: You need to go into this movie knowing it’s a farce.  They’re poking fun at the action and romantic comedy genres, and Tom Cruise is poking fun at himself.  The film plays it straight, which makes it a kooky, super fun, summer popcorn movie.

FLIPPED: Sort of like The Wonder Years but not so depressing. While some critics took issue with the he said/she said storytelling device, I found it was used in a fresh manner int hat it did a nice job sparing the audience redundancies.

IT’S KIND OF A FUNNY STORY: A sweet coming-of-age story about a kid who checks himself into a mental hospital.  The real stand-out in this movie is Zach Galifiankis, who shows that he’s not just a goon making a career on his ability to be awkward.  He acts in this movie, and he does it brilliantly.

THE TOWN: A gritty crime thriller with heart, with solid performances from the entire cast.

MORNING GLORY: I’m a sucker for journalism movies thanks to my education.  Add the always-delightful-to-watch Rachel McAdams, and you’d have to do something really wrong to make me dislike something like this film.  Luckily, the filmmakers did not try to make me dislike it; quite the opposite.  The characters walk the balance between caricature and complete human being.  It’s sweet; it’s funny; it’s feel-good.  And that’s generally good enough for me.

HARRY POTTER AND THE DEATHLY HALLOWS – PART ONE: More brooding character piece than we’ve seen before in the series, I found this to be one of the most interesting of the series.  It’s lovely to see how the trio of actors have really come into their own; they handle this heavy material very well.  Also worth noting, the animated sequence used to tell the story of the Deathly Hallows is absolutely brilliant.

THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER: I’m on the fence as to whether this trumps PRINCE CASPIAN as my favorite Narnia film.  It’s certainly the most beautiful of the three, and I think it does a nice job of re-capturing some of the magical elements of the first one while embracing the maturity of the second.  I was incredibly impressed by Georgie Hensley, who plays Lucy.  Not only is she growing up into a lovely young woman, but she showcased her growing acting talent here as well.

127 HOURS: Danny Boyle always delivers interesting movies, and Simon Beaufoy is one of my favorite screenwriters, as he knows make the heart of a character evident to the audience.  And with this incredibly challenged premise, they once again deliver.

THE TOURIST: I found this to be a highly enjoyable comedic thriller in the vein of CHARADE, though admittedly not as good as CHARADE (but what is?).  Like KNIGHT & DAY, it’s a movie that plays it straight on the surface but isn’t taking itself seriously at all underneath.  Go in, turn off your brain, and just enjoy the ride (and Johnny Depp… and Angelina Jolie).


That sums it up. What were your favorite movies of 2010?

11 thoughts on “Ditty’s Favorite Movies of 2010

  1. Top…17?! You really are the That Chick from EASY VIRTUE of Top 10’s, rules be damned. This is anarchy! *Stands on desk* O, Captain…

    Anyway, excellent List-ing. I’ve only seen *3* of those seventeen (all were in my own Top 10), although a fair few were definitely on my to-watch list already. You make such a strong case for Disney, and animation in general, that I should probably give that stuff a go, huh? For some reason, I usually don’t even think to go for animated films.

    I will definitely check out IT’S KIND OF A FUNNY STORY soon, as I love Zach Galifiankis. I’m (still) not sold on Danny Boyle, but your comments here and on the podcast made me think I should give 127 HOURS a chance.

    I noted there’s no numbering. Is the Top 7 in order, as in, Inception is your #1, or they’re just the 7 best, all jostling together?

    Great stuff, as always.

    • I’ll take any comparison to Larita as a high compliment. 🙂

      I grew up on a steady diet of Disney, so I’ve always been big on animated films. My knowledge of foreign animation is admittedly pretty spotty, but classic Disney and I go way back.

      I’m curious as to which Danny Boyle movies you’ve seen and/or have issues with. There’s a hilariously bizarre action/fantasy/romantic comedy called A LIFE LESS ORDINARY that you might appreciate if you haven’t already seen it.

      As for the Top 7, they’re actually more or less in descending order, though I didn’t number them because I didn’t really want to commit to an order. Some days BLACK SWAN is my favorite because of the art vs. sanity element, but TANGLED is the one I’ll probably watch the most times throughout the course of my life.

      • The Boyle thing might be partially down to my perception of him as a Brit, because post-Oscars with SLUMDOG, he was suddenly given this lofty position of supreme high regard, which always happens as soon as someone here is nominated and deemed to be ‘flying the flag,’ but it’s a position I don’t think is deserved at all. He’s a competent director, for sure, but barring TRAINSPOTTING, he’s never made a movie beyond ***.

        When he went genre with 28 DAYS LATER and SUNSHINE, both times he utterly blew it with terrible third acts. SUNSHINE in particular is the classic example of a potentially great movie completely falling apart once it hits the final third. It’s one of the worst slides into the abyss of any movie; just incredible. SLUMDOG MILLIONAIRE was okay. Enjoyable enough, ***, but certainly nothing I’d watch twice in a hurry, and I felt like it was one of those feelgood movies that became way bigger than it should have because the world needed cheering up at that point, so it became embraced. I haven’t seen A LIFE LESS ORDINARY.

        I’m tempted to call you a coward on not committing to a concrete numbered order, but I’m aware that this kind of Top 10 is so subjective it could depend on your very mood at the moment you posted it, so I’ll probably let it slide 😉

  2. I think you already know where I’d disagree with you on this list. 😉 I thought Narnia and The Tourist were actively bad movies, but such is movie lists. I’m sure it’ll provide interesting podcast fodder. That said, great list. Shutter Island very nearly made my list. In fact, I wrote a full long justification of its place there, because I felt it needed it based on some of that movie’s flaws and easy dismissals after a year of surprisingly strong, great movies.

    As usual your list is an animation spectacular, though unlike last year I totally agree with your two picks. Where I ended up coming up short, at least on my own choices, is that I found the emotional beats Toy Story 3 pulled nearly exploitative in how easy it was to stab straight to the heart. Maybe that’s a good thing, I don’t know. I know I felt Tangled was more comfortable not taking the emotional cheap shots.

    Anyway, good list. Viva la 2010!

  3. @Stuart You are totally wrong about 28 Days Later. The third act of that movie is the best part, the final dissolve of this happy ideal of survivors making it through good intentions and faith in the power of humanity. Especially if you look at the movie itself as the shorthand version of the Romero trilogy, the finale of 28 Days Later is Day of the Dead made savage and brutal in a way that movie never really got to.

    I found the impact of that to be the best part of the movie. There’s this really dark, passionate place where that all comes from, the monsters of the humans coming to the fore and the zombies becoming little more than the environmental hazard they are always doomed to be. Without that, the movie would have been a slow build, pleasant jaunt through the zombie countryside without a payoff.

    • For me, the movie just becomes outright bad when the soldiers turn up. I see what you’re saying in your second paragraph, and maybe that’s how they intended it to come across, but I don’t think it plays that way onscreen.

      Even the acting seems to get bad at that point, with everything becoming too cartoonish and obvious against the more sombre, *better* movie it was before. I felt like it had an interesting, fresh take on the genre, up until the scenes that are like a jarring pantomime. It’s like we’ve suddenly taken a wrong turning into a Danny Dyer film.

  4. Ditty! Your list is great! I’m most happy about you giving some love to Shutter Island. I was a HUGE fan of the book and I couldn’t wait until the movie came out. While I feel like the book did a better job of the “surprise” at the end, I thought Scorsese did a great job adapting the feel of the movie from the book. The performances were amazing (DiCaprio is fast becoming one of my favorite actors).
    Anyway, great list! I still need to see The King’s Speech and Black Swan. Oh, and Social Network. :o)

  5. Great top choices in there, Elizabeth! Most everything you picked would make my top 10 list except “Tangled,” which I did not see but I heard was pretty entertaining. Did you see “Winter’s Bone”? That will take top honors on my list when I finally make it. It started out as a little indie sleeper and turned into the Little Film That Could — amazing performances, amazing cinematography, you name it. It’s film noir set in the Ozarks with John Hawkes and Jennifer Lawrence giving career-defining performances.

    • Thanks, M! I did see WINTER’S BONE, but I seem to have a hard time connecting with films like that — in essence, how much bad stuff can we throw at the central character without completely crushing his or her soul? PRECIOUS hit me sort of the same way. I agree with you, especially re: Jennifer Lawrence. I’d like to see more from her certainly.

  6. Pingback: Ditty’s Favorite Movies of 2010 (via Elizabethan Theatre) | The No-Name Movie Blog

  7. Pingback: Ditty’s Favorite Movies of 2010 (via Elizabethan Theatre) | The No-Name Movie Blog

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