On New York

Statue of Liberty at a Distance

The Statue of Liberty from Battery Park

Over the years, I’ve developed a knack for being able to slip pretty easily into the flow of most places I travel. I think it’s a certain combination of knowing who you are and having an unfailing sense of curiosity.  What I’ve found is that each city has its own energy, and I can usually more or less figure out in half a day or so.

I didn’t get to spend much time exploring Austin, but I immediately got the sense that it is a city that takes great and serious pride in its weirdness.  It is the sort of place where, if you want to create — be it music, film, art, food, or even new ways to do old business — you will be welcomed with open arms — as long as you embrace and encourage the quirky.

New Orleans, an amalgam of Southern and Montmartre-like charm with a cheeky sense of humor, insisted I relax and enjoy the heaps of serendipity it tossed my way. Anything goes in New Orleans, and it drives home the notion that sometimes you just can’t plan for life, so you’d better just take what it gives you, learn to go with it, and always take the time to laugh.

Paris first stole a piece of my heart more than a decade ago. The innermost aspects of my personality, the ones that only come out in their truest forms in solitude, feel at home there.  It’s a place that has always invited introspection, a focus on art and beauty, and an emphasis on slowing down a bit and savoring the life you’re living.

And then London — beautiful & smoggy, grand and quaint London — charmed me with its contradictions. The modern energy mingling with the respect for tradition and history is nothing short of intoxicating, and it took me in and made me feel like I was a part of something at a time when I desperately needed to feel passion again.

But Manhattan? It offered me no such engagement, no such hospitality, no such efforts to gain my affection. No matter how I grasped at its metaphorical wrist, I was never able to get my finger on the pulse of the city.

In hindsight, with all the legend and lore surrounding the city, I probably should have known it would be different. As

Grand Central Station. Oddly, one of the least overwhelming places we visited, despite its grandeur.

I stepped off New York soil and onto the plane home four days after arriving, I still had no clue what to think. To put it succinctly, I was thrown for a loop.

The city offers no comfort when you’re feeling down, and it’s just as happy to chew you up and spit you back out as it is to inspire you.  There’s no coddling to be had in Manhattan, and maybe that’s part of its appeal.  It’s not that it doesn’t want you to succeed.  It’s that it expects you to pull yourself up by your own damn bootstraps and can you get out of the way while you’re figuring out what the hell that means because it took care of its bootstraps a long time ago and its got people to see and things to do.

Manhattan is like that intimidating, stern-faced college professor who gives you the facts but expects you to put them together yourself — the one who gets a twinkle in his eye or the tiniest of smirks on his face when you finally do. (Professor Fred Lamer, I’m looking at you.)

The Chess & Checkers House in Central Park.

I knew it would take writing my thoughts out to wrap my head around Manhattan, and when I left, I wasn’t sure if I’d ever really want to return.  But now I know I do.  I want to show the city that I finally got it. And goodness knows there’s plenty more to explore, to be baffled by, to experience and observe.

I’m well-versed in travelling solo at this point in my life, but I feel very lucky to have had a travelling companion for this particular trip.  As frustrated as I felt with the city, I still spent most of the trip talking, learning, laughing and smiling.

As I recall my four days in Manhattan, what comes to mind is much like those dreamy flashback sequences you see in films sometimes. My memories of the city itself are admittedly fuzzy, due in large part I suspect to the incredible sensory overload from the people and the lights and the noise.  But they’re providing that soft glow, faded-edge background that makes the clear human moments in the foreground seem magical.

  • Tucking my arm into the crook of my boyfriend’s elbow and laying my head on his shoulder as we waited for the subway, or a show, or the line to move.
  • Marveling at how the rain on the streets was snow at the top of the Empire State Building, laughing whilst running around the perimeter as fast as we could to get pictures before escaping the frigid wind & going back inside.
  • Sneaking sugar-encrusted nuts from our pockets into our mouths whilst warming up inside a church in Lower Manhattan.
  • Watching him tap story ideas into his phone.
  • Feeling entirely too human over slices of pizza in the middle of a crowded, chain restaurant, yet with the distinct notion that no one at all was aware.
  • Enduring endless teasing about my supposedly high frequency of bathroom visits.
  • Three blissful words for the Perpetually Cold like myself: shared body heat.
  • Sharing tins of lamb over rice from halal carts.
  • Learning and playing chess as the midday light turned into an afternoon haze in Central Park.
  • Sitting next to each other in an airport, immersed in separate novel-inspired universes, but still connected by intertwined limbs.

Perhaps this was Manhattan’s plan all along — to teach me that you can still find bliss and comfort and laughter in the midst of life’s frustrations and obfuscations. Those stern professors are funny like that — always handing you lessons behind the lessons.

The 86th Floor Observatory of the Empire State Building

2011: My Year in Review

This has been a really strange year, in which time has both flown and stood still. I don’t really understand how that can be possible, but I’ve never been one for quantum physics, so there you have it. I was really a little worried going into this year-end review, because as rough as 2010 felt creatively, 2011 definitely felt rougher on pretty much all fronts.

Here is my great confession for 2011: I spent the summer in as severe a depression as I’ve ever been through, and I am not being dramatic when I tell you it was probably the scariest phase of my life. I couldn’t write. I couldn’t focus. I couldn’t bring myself to do any sort of workout other than running. I couldn’t go an entire day without crying. And I could not for the life of me figure out how to fix it. None of my previously successful tools were working. I had six vials of blood drawn because I had doctors run every possible test to see if there was a medical reason for my inability to get myself out of that place. And never has the news that I am in perfect health been so distressing. I’m not sure what happened to finally lift me out of it, but I suspect it was a combination of:

  • a change in diet (I went gluten-free, or close to it, for several months),
  • a change in perspective (“this too shall pass,” and that I cannot and should not try to control other people’s reactions, and that as long as I am doing my best in regards to right action and right speech, I can let go),
  • getting the news about my script reaching the AFF semifinals,
  • and eventually sheer stubbornness.

I wish I had been brave enough to reach out to more people than I did, to talk about what I was going through, but that is one of the terrible things about depression — it tricks you out of wanting the things you need most. I’m lucky; I got through it.

Even though I’m grateful to have made it over that hurdle, I was feeling pretty despondent about doing my year-end creative review since I’d had such a long dry spell.  So, it was a huge relief when I went back and actually listed everything I’d done on that front and saw it wasn’t quite as bad as I’d feared.  But the truth is I didn’t meet many of the big goals I set for myself last year.

  • I didn’t query any of my scripts (though I got lucky with the Austin Film Festival picking up some of that slack for me) or my children’s story.
  • I didn’t do ScriptFrenzy because I was desperately (and unsuccessfully) reworking a script to resubmit to the BlueCat Fellini Screenplay Competition.
  • That script was the still-enigmatic M. Valentine. And I will break that thing one day. But this was sadly not the year (though I did get a tiny consolation when it made the quarterfinals of that competition, considering how terribly, terribly clunky I thought it was).
  • I did not write a stage play.
  • I didn’t quite see something I wrote produced, but I am currently post-producing something I wrote, so I’m willing to call that one a draw.

So that’s the bad.  But the rest is pretty good.

I got my house in order, or as close to it as I feel it needs to be. I no longer have a junk room (or rooms, as the case may have been), and this, my friends, is a definite win.

I hit my film-watching goals, and I read a ton of books this year, compared to usual, topping out at 34.  Highlights there, in case you’re looking for something to read:

I visited three new places.

Council Bluffs, Iowa: Where I got to watch and listen to the Monkees rocking it out, albeit from behind a fence, because it was unbeknownst to us a 21-and-over show, and my sister was not 21-and-over. I also got to meet my friend Matt for the first time since we made our acquaintance, what, 4 years ago? It’s always nice to find you can sit down with people you converse with all the time across the internet and have pretty much the exact same rapport when you’re sitting across a table in a smelly, grimy casino restaurant.

New Orleans, Louisiana: Where I caught an eyeful on Bourbon Street, ate All The Desserts, had my fortune told in front of St. Louis Cathedral, made friends with strangers, and listened to some fantastic jazz.  Bonus: In an amazingly serendipitous occurrence, one of my old friends from high school (whom I hadn’t seen since) happened to be passing through, and thanks to twitter, we got to sit down and catch up over some beignets & gumbo.

The woman on the right was very concerned for my emotional welfare because I was sight-seeing solo. "If you don't have any friends, you should make some! Preferably a guy!" she told me.

This street jazz band had just set up, and it was too early for the New Orleans crowds, so I asked them to play me a song, any song they liked. They chose "When You're Smilin'," and insisted on flagging down another tourist to take a picture of me with them. A perfect example of the Spirit of New Orleans.

Austin, Texas: I’ve written about my amazing experience at the Austin Film Festival here, but the thing I keep going back to is the great folks I met. I get a little thrill of delight every time an e-mail or tweet pops up from one of my fellow festival attendees. Bonus: I also got to catch up with a couple of friends who had moved away whilst there. Austin’s a great city, a place for hippies and hipsters and artists of all sorts. I’m definitely hoping to head back for the festival again next year.

After a full day of panels and films, nearing the end of the Wrap Party somewhere around 1 or 2 a.m., Jess, Jarrod, Nate, and Bleary-Eyed-Barely-Standing-Not-Used-To-This-Sort-of-Schedule Me

Me & Jess at the Paramount Theatre

There were some other pretty neat things about 2011, too.

My team won third place in a 3v3 corporate basketball tournament, which is pretty cool considering I hadn't played since my freshman year of high school & probably half of the team had never played more than recreationally, if at all, beyond this tournament. I also survived a 3v3 soccer tournament as the only bonafide soccer player, including the last few games with two players, and then me + an injured player. That was fun.

I ran in two 5Ks, and I ran three events in my first track meet ever. This picture is from the Thanksgiving 5K after my sister & I spent literally an hour trying to find my car.

We picked out bridesmaids dresses for my middle sister's wedding this coming July (they'll be black), and even more exciting, we helped my sister pick out her wedding dress. As a big sister, that's a pretty neat thing.

This is where I learned to suspend myself from a nylon ribbon attached to the ceiling thanks to an aerial acrobatics class. It is also where I came to terms with the fact that, despite considering myself a pretty athletic chick, anything that requires grace and poise just doesn't come naturally. Give me something I can throw, punch or kick, though, and I'm good!

I learned humility by losing to all of my family members at mini-golf. I may also have sent the ball careening off the green like six times. These things happen.

I learned that I do not have the patience for pottery, but I still made these, and that's kind of cool.

I survived my 10-year high school reunion.

I kissed the guy who gave me this.

And this.

I definitely flew in a tiny helicopter.

And what year could be complete without crazy hats?

As I said, the creative front wasn’t as awful as I’d feared going into the review either.

Recognitions

  • 2011 CS Open Round 2 Qualifier (Top 100 Entrants from Round 1)
  • 2011 BlueCat Fellini Quarterfinalist – MONSIEUR VALENTINE
  • 2011 Austin Film Festival Screenplay Competition Semifinalist (Comedy Feature) – ‘TIL DEATH PARTS US

Creative Achievements

I worked on five screenplays.

  • Rewrote M. VALENTINE twice.
  • Polished TDPU.
  • Polished MUTE.
  • Wrote a draft zero of JOLENE.
  • Outlined and started writing SOUNDS OF SILENCE.

I wrote seven film-related posts.

I wrote and posted 13 short pieces, and wrote at least 3.5 unposted short stories and a couple handfuls of unposted poems:

I wrote three short scenes for competitions, one of which I might like to expand at some point.

I wrote a bad novel in November.

My sister and I interviewed and filmed people talking about their Valentine’s Day experiences — good, bad, funny & sweet.

And last but definitely not least, I wrote and directed a short film, STILL, which I am currently editing.

Thanks to my DP, Amy; my make-up artist, Kate; my gorgeous statue jilted bride, Meg; and my persevering, resilient human statue, Mike.

All in all, it was a really bizarrely terrible and wonderful year. I’m not sure I’ve ever had such a rollercoaster 365 days before, but I wouldn’t trade it. Here are a few things I’ve learned.

  • When life gets too overwhelming, there is no better temporary escape than into a good book.
  • There is nothing as resilient as the human spirit. People survive the worst horrors and still find a way to see beauty in the world. Our only responsibility is to keep trying.
  • Life never gets less complicated, so there’s no use waiting ’til it does. I think the key is this: As much as you can, choose complications that bring you joy.

No Year in Review post would be complete without some goals for the coming year. I’ve got some other year-long initiatives that I might detail in a future post, but for now, here are the big goals.

  • Write three spec scripts.
  • Write twelve short stories/pieces.
  • Participate in NaNoWriMo.
  • Finish STILL and submit to festivals.
  • Submit scripts to Nicholl, Austin and BlueCat.
  • Visit three new and/or awesome places.
  • Read 24 books.
  • Watch 200 films.

FYI, I used these two fantastic guides for my own year-end review.

That’s it! Did you guys do any sort of year-end review? Favorite moments of 2011? Things you’re most looking forward to in 2012? I’d love to hear about them!

Ditty’s Favorite Movies of 2011

It’s that time of year! Once again, I’ll point out that these are not necessarily the movies that I’d say were the critical best, but they’re the movies that I enjoyed the most.  Also, the order is roughly from favorite to most favorite, but it tends to vary pretty widely with my mood. So don’t read too much into it. In short, these are movies that got to me in some way, shape or form, and that’s why they’re on this list.  So, with that disclaimer, here we go!


THE BEAVER
Writer: Kyle Killen / Director: Jody Foster

This film really seems to split audiences. I don’t know if I was helped going in by the fact that I’d read the screenplay, since it was being marketed as a dark comedy instead of the drama that it is. Some have argued that the puppet concept made the profile of a man with severe depression too outlandish to be taken seriously. For me, it put enough distance between real life and fiction that I was able to connect with it like a fable — I could immerse myself in the story in ways that might have been too uncomfortable otherwise. The truth is, people with depression all cope in different ways — many times destructively. The puppet was just that — a coping mechanism. I thought the film was an accurate and heartbreaking examination of depression, not only how it affects those who suffer from the condition but also how it might affect family and friends.  For that reason, I for one am very grateful it exists.


FRIENDS WITH BENEFITS
Writers: Keith Merryman & David A. Newman and Will Gluck / Director: Will Gluck

OK, let me preface this with the fact that I am a fan of the Romantic Comedy. I fully acknowledge that most of them are less than great. I still see most of them, because I’m always hoping for the next Great One. This year’s FRIENDS WITH BENEFITS was the best traditional romantic comedy I’ve seen in a long time, and by traditional, I mean it’s not cross-genre or an indie, and it hits all the beats you’ve seen before and expect. The difference here is that this one does it whilst poking fun at itself, focusing on character and heart, and with the incredibly important benefit of great chemistry between the leads. It’s fun, it’s funny, it’s sweet, and its characters are people I care about and root for.


BRIDESMAIDS
Writer: Kristen Wiig & Annie Mumolo / Director: Paul Feig

People seem to think this movie was unique because it was an R-rated comedy featuring a cast of mainly women. What really made it unique was that it was a female-driven comedy with loads of character development and heart. The fact that it was R-rated really had nothing to do with what made BRIDESMAIDS special. Kristen Wiig turns in a delightfully cringe-worthy and surprisingly heartfelt performance,  Melissa McCarthy walks away with every scene she’s in, and Chris O’Dowd wins over not only Wiig’s Annie but the entire audience with his charming Irish brogue, dweebish sweetness & dry sense of humor. In a year filled with comedies that seemed to be more interested in raunch than anything else, this film went for heart first — and that made it the best of the bunch.


CRAZY STUPID LOVE
Writer: Dan Fogelman / Director: Glenn Ficarra, John Requa

While the ensemble isn’t as large as, say, LOVE ACTUALLY, this here is an ensemble romantic comedy that really, really works — or at least it did for me. And I’m not just saying that because of Ryan Gosling. Or Emma Stone. (But let’s face it — they’re both fantastic.)  While it veers a little wacky and even a little uncomfortably inappropriate at times, CRAZY STUPID LOVE still managed to tug my heart strings enough to make me break down in copious tears whilst sitting between two strangers in a theatre. Awkward. Seriously, though, you’ve got Steve Carrell doing what Steve Carrell does best — playing a socially awkward but totally sweet magoo.  The supporting cast is excellent, featuring Julianne Moore and Marisa Tomei.  And it has one of the best twists I saw all year — in a romantic comedy no less!  So, if you’re a fan of the genre, or of Ryan Gosling’s abs, do check this one out.


MIDNIGHT IN PARIS
Writer/Director: Woody Allen

I love Woody Allen.  I love Paris.  I love literature.  I love bohemian philosophy.  There’s pretty much no way I wasn’t going to love this film. Whimsical, dryly humorous, existential in a down-to-earth way, and sneakily hopeful… It’s what Woody Allen does best, in my opinion.


THE ARTIST
Writer/Director: Michel Hazanavicius

I knew I’d love this film from the moment I saw the trailer. A silent, black & white film about a silent film star who reaches the height of his career just as the silent film era is coming to an end, THE ARTIST is a gorgeous, clever exploration of a man’s downward spiral — and whether or not he can find redemption in a new medium and in life.  It’s fascinating watching silent film acting, as everything must be said with expressions instead of with words. As a writer, it’s a good reminder that film is first and foremost a visual medium when it’s easy to be lazy with dialog.  Show, don’t tell and all that jazz.  Another thing it forces, though, is for the audience to really look at a character.  You have a chance to become immersed in what’s happening, to fill in the silence with your own understanding, and that’s a really cool experience in this day and age. I’d love to see more silent films, to be honest, but the key (like 3D) is using it to serve the story rather than as a simple gag. THE ARTIST does it well.


THE ADJUSTMENT BUREAU
Writer/Director: George Nolfi

This movie broke my heart and then put it back together. It is also the movie I discussed most for a good six months after it came out. The chemistry between Emily Blunt and Matt Damon is electric, and it’s the romance between their characters that really makes this movie memorable more than the sci-fi/fantasy elements — though I found the philosophy behind them really interesting as well.


ANOTHER EARTH
Writer: Brit Marling, Mike Cahill / Director: Mike Cahill

This microbudget film was one of the most compelling of the year.  When another earth is discovered, a young woman who made a terrible mistake several years ago, ruining not only her life but several others, too, has a chance to see if her life on Earth 2 turned out differently.  What follows is a heart-wrenching story of the search for redemption, forgiveness, and purpose. Also worth noting, this film has my favorite last shot of a film all year long, if not in the past several years.


HUGO
Writer: John Logan / Director: Martin Scorsese

There’s no doubt that this is a film for film-lovers, but there’s so much more to HUGO than just that. If you go in expecting the fare you get from most children’s films these days — bombastic, gag-filled, superficial “entertainment” — you’ll either be disappointed or thrilled depending on how you feel about such movies. Fair warning, not all kids are going to love this movie if that’s the sort of thing they’re used to seeing. But it’s the kind of movie all kids should be growing up on, in my opinion.  In some ways, this film’s whimsy and wonder reminded me of AMÉLIE. It features rich characters and beautiful cinematography.  It is the only film where I’ve ever thought the 3D was worthwhile.  If you have the chance to see it in 3D, I highly, highly recommend it.  Even if you don’t, movies like this deserve to be seen, and I highly encourage you to do so.


BEGINNERS
Writer/Director: Mike Mills

I talked about this movie in more detail over at the No-Name Movie Blog, but here’s a quick excerpt:

“Beginnings are always hard, because in each of them, we are always cast as beginners — inexperienced, unknowing, and even fearful.  It’s entirely understandable that we want to avoid them.  The idea of having to start over is often scarier than clinging to the vestiges of something long gone by.  But it’s the beginning again (and again, and again) that really defines the act of living.

And this is the message BEGINNERS delivered to me, in its quirky and light-hearted way, at a time when I needed to hear it.  It’s a good message no matter where you are or what you’re dealing with in life, because sooner or later, things do end, and it’s nice to remember there’s magic in beginning again.”


HONORABLE MENTIONS
(in no particular order)

Jeff, Who Lives At Home
(I’m almost positive this will make my Top 10 list next year. I didn’t include it this year since it technically doesn’t come out ’til 2012. I was lucky enough to see it at the Austin Film Festival.)
Like Crazy
The Muppets
50/50
We Bought a Zoo
Don’t Be Afraid of the Dark
Attack the Block


That’s the list! I still haven’t seen a couple of contenders, like THE GIRL WITH THE DRAGON TATTOO and WAR HORSE, which I have a feeling will have a shot at at least being added to my honorable mentions.  What about you all? Favorite movies of 2011, GO!

[short fiction] Notice

Updates, end of year reviews and top 10 lists soon. Until then, here’s a little holiday drabble. Hope you enjoy.


NOTICE

Winter wonderlands. White Christmases. Sleigh rides, hot chocolate. Snow ball fights and snow angels. Cozying up by the fire.
That’s me, you know.
Not the fat man in red.
Not his eight or nine reindeer.
Not his jolly elf army.
It’s all me.
I’m not the enemy.
I make the magic.
All I’m asking for is a little credit where credit’s due.
Consider this your notice.
You’ll call it what you want. An unseasonably warm trend. A heat wave. El Niño. Global warming.
You’ll want me back sooner or later.
You always do.
Until then, Jack Frost is on strike.


© 2011 Elizabeth Ditty

[short fiction] Frogs

So, I’m knee-deep in NaNoWriMo at the moment, but I wanted to drop in and say, “Hello, I’m not dead, and the things I was working on like STILL and scripty sorts of things are not dead either and are simply waiting for me in the bit of future called December.”

In the meantime, if you’re interested, here’s a bit of flash fiction inspired by the marvelous Chuck Wendig over at his blog, terribleminds.


FROGS

Sorcerers promised love, treasures, and — most of all — wholeness —
— Oaths they swore on the sacred texts of storybooks and fairytales.
She believed.  She hoped.  She stubbornly persisted —
— Through countless kisses bestowed in her quest to find the missing.
Finally she found her prince transformed –
— Only to discover she preferred the company of frogs.

© 2011 Elizabeth Ditty

The 2011 Austin Film Festival: A Recap

Subtitled: “In Which Ditty Disappoints Everyone By Failing to Find Words to Describe How Amazing It Was.”

Everything that follows can really be summed up in the following bit of advice: If you have the opportunity to attend the Austin Film Festival, DO IT. (Especially if you are a writer.)

If you need more convincing, perhaps this crappy cell phone picture will help.

Five measly rows back from Johnny Depp & Caroline Thompson (AMAZING screenwriter) in the flesh before the retrospective screening of EDWARD SCISSORHANDS at the Paramount Theatre.

Not your type? What’s wrong with you? Fine. What about this?

The gorgeous and gracious Alexis Bledel, flanked by the lovely Jessica von Schramm (who offers wonderful screenwriting advice at jessvs.tumblr.com) and the barely-standing me (having been up more hours in a row than is generally recommended for optimal health) at the Film + Food Gala that kicked off the festival. (Courtesy of incredibly talented photographer Dieter von Schramm -- see more of his work at www.overprocessed.com.)

Still not doing it for you? Again, I have to ask, what is wrong with you?!

How about the opportunity to see big-league films like THE RUM DIARY? Sure-to-have-people-talking films like BUTTER? Destined-to-become-a-desperately-adored-cult-hit films like JEFF, WHO LIVES AT HOME? And that’s not even to mention the hundreds of documentaries, indie-level and local films, and shorts you’ll find very few other places and perhaps nowhere else at all.  It is a cinematic feast of grand eclectic proportions.

“I need more!” you say? Oy vey! But all right! I have more! How about the chance to hobnob with amazingly talented writers, filmmakers, producers, managers, agents and beyond? The opportunity to learn from the best of the best, like Shane Black, Terry Rossio, Michael Arndt, Caroline Thompson to name just a few? The writers’ conference will educate and inspire you in ways you’ve never imagined. And if you have even the smallest smidge of luck on your side, you might find yourself talking to folks who can help you on this slightly insane path we’re on to become working writers.

Hopefully by now I’ve offered some pretty good evidence for why you should attend, but I’m saving the most important bit for last. Are you ready? Here it is: There is no feeling in the world quite like finding yourself in the midst of hundreds of people who get it. The Austin Film Festival is special because it honors the writer, and because of that, writers flock to this festival. And if you’ve ever felt like a bit of a weirdo or an outcast because you’re pursuing this insane dream, you will feel at home at this festival because everyone there is pursuing that dream, or a variation of it, too. You will very likely make friends for life because everyone gets it. Everyone gets you, and you get everyone, and it is a magical and glorious thing.

And then you have to go home, and you will feel really strange not having a gargantuan badge hanging around your neck all the time.

You will be so excited to be there that you will not even care about the typo in your screenplay title on your badge (but you will still feel the need to mention it on occasion, just so people know it's a typo and that it should say 'TIL DEATH PARTS US, thus hopefully proving that you have a fairly decent grasp on most verb conjugations.)

But you’ll have the memories and the business cards to help you foster those connections you made during the rest of the year, and those relationships you cultivate will make subsequent trips to the Austin Film Festival — because I’m pretty sure that once you go, you’ll always want to go back — even more amazing.

[short fiction] Contained Heart™

For the first time in months, Sheila could breathe easy.  The physically inexplicable knot of nerves and emotions that caused the ever-present ache in the pit of her stomach was gone.  She touched the little box inside her pocket and smiled.

She’d thought it would be bigger.  How could something capable of causing so much joy and so much pain fit into something no bigger than a thimble?  Her brain couldn’t begin to fathom it, but she knew if the pharmaceutical industry ever got ahold of such technology, they’d have to redefine what it meant to be “filthy rich.”

As it was, she’d stumbled onto the purveyor of her cure quite by accident.  Walking the dirty city streets home from work, still fighting back the tears she’d been guarding against all day, she finally lost the battle when a gust of wind upended her umbrella.

She’d slipped into a little alley and finally surrendered, letting the rain cover up the evidence of her grief.  She was rather caught up in the drama of it all when she felt a tap on her shoulder.  She looked up, startled, to see a hunched old woman there, holding an unmangled umbrella above her head.  There was something about her eyes and the curve of her mouth that was almost a smile that made Sheila wonder vaguely if she had once been beautiful.

“Come inside, dear,” the old woman had said.

Sheila was not usually the sort to run off with random strangers in alleys, but in that moment, she was of the opinion that she really had nothing else to lose.  And so she followed the old woman through a door, hidden to all but the most observant by a façade of brick that matched the wall quite perfectly.

Her memories of what happened next were murky.  She could glimpse the old woman handing her a cup of something warm that might have been tea.  She could hear the story of her latest heartache spilling from her mouth.  She could feel of the old woman’s hand as it held hers — her skin had been smooth and soft, but thin, like it would bruise easily.

When she stepped back out into the alley, it was as if she’d awoken from a very long nap.  The sun was shining, the air was warm, and if it had not been for the verification from her phone that it was in fact the same day, she might have believed she’d slept through the entire winter.  In her hand there had been a piece of paper, which she hadn’t noticed until a warm breeze tried to carry it away from her.

Contained Heart™ Instructions and Recovery

You have just undergone a very delicate procedure to remove your heart.  It’s possible you may experience slight memory problems for a few hours following the procedure.  This is entirely normal and not cause for alarm; however, if symptoms persists beyond seven days, please return for observation.

As discussed prior to your informed consent (please see attached), your heart has been preserved in a uniquely manufactured container, where it will remain safe and functional should you choose to have it reinserted some day.  It is imperative that you keep it on your person at all times.  Failing to adhere to this recommendation can have severe adverse side effects, as discussed prior to your consent.  Please remember that the container also serves as your receipt for the procedure should you encounter any problems.

Your records will be kept on file in the event you choose to return to have your procedure reversed.  Good luck, and we hope you enjoy your newly Contained Heart™.

She flipped to the attached page, which bore a photocopied list of benefits and warnings, punctuated by her signature.  At the bottom, it said, “You will find your new Contained Heart™ waiting for you in: __________________”  Scrawled above the line were the handwritten words “your right-hand skirt pocket.”  And sure enough, that is where she’d found it.  It was silver and cubic, with carvings that could have been simply decorative or perhaps instructive in some language or code she could never hope to decipher.  It was both heavier and warmer than it should have been.

Weeks went by with nothing but good results.  Her friends were surprised and relieved to see her smiling so easily again.  With the heaviness of her heart in her pocket instead of her chest, she felt light and free — perhaps even invincible.

If she’d been able to recall more of the procedure and the conversation that preceded it, she would have been more careful.  The old woman had warned her that hearts have a way of refusing to be contained.  But Sheila did not remember this, and she had never been particular adept at protecting her heart.

After a particularly enjoyable evening out, during which she’d laughed and danced and charmed more than her fair share, she began to feel her mood slip, just the tiniest bit, as she stepped out of the cab that had carried her home.  She chalked it up to one too many drinks, one too many dances, one too many hours in her impressively high-heeled shoes, and thought nothing more of it.

Until morning.  When the light streaming through her window finally woke her, her limbs felt so heavy she could barely gather the will power to move them even an inch.  And that’s when it hit her.  She forced herself out of bed and onto the floor where her skirt lay discarded from the night before.  She reached into its pocket, and her finger, horrifyingly, slipped through the bottom of it.  She flipped it inside out and stared at her finger.  Her pocket, it seemed, had come apart at the seams.

She scoured the floor for the little silver box.  She searched the sidewalk outside her apartment.  She called every cab company in the city.  She begged the manager of the club until he let her search every booth, every crack in the dance floor, every bag of trash collected from the night before.  Her heart was nowhere to be found.

She rushed to the alley in a panic, informed consent and instructions in hand.  She walked up and down, banging all along the brick wall until the old woman finally stepped out.

“Please help me,” Sheila begged.

And once again, the old woman said, “Come inside, dear.”

Again she was handed a cup of something that might have been tea, but Sheila could not take comfort in it this time.  She once again spilled the details of her sad story to the old woman’s patient ears.  When she was done, the old woman took her hand again and squeezed it, but her eyes were sad.

“I’m so sorry, my darling,” she said, “but our specifications were clear.  There is little to be done for those who are careless with their hearts.”

There was more pleading and more tears, but eventually she had to accept there was nothing the old woman could do for her.  She let the old woman lead her out into the alley, and she did not protest when she closed the door.  The sun had gone under the clouds.  All Sheila could feel in that moment was the cold.

But there was something the old woman had not revealed.  In her many years of research, she had learned many things about the heart.  One thing was that absence makes the heart grow fonder.  Another was that home is where the heart is.  And so, the old woman could not guarantee it, but over the years she had seen many cases in which these two factors worked together quite well to work things out.  But you cannot simply tell a woman who has lost her heart to take heart.

Across the city, a businessman late for a meeting hurried to the curb as he simultaneously signaled for a cab.  Just as he reached for the handle, a glint of silver in a mound of grimy slush caught his eye.  He squinted at it, but he couldn’t quite fathom what it could be.

“You in or out?”

He looked at the driver, impatience permanently etched onto his face.  He looked at his watch.  He was already so late.  He took his hand off the handle.  The cabbie yelled something rather rude and drove off.  The businessman walked over to the pile of what had once been pristine snow and picked up the tiny box.  It was heavy and warm.  He put it in his breast pocket and signaled for a cab.


© 2011 Elizabeth Ditty

[short fiction] Fire

I know autumn is coming when my thoughts turn gleefully toward the macabre.  I was given an impromptu writing prompt by a friend, which on the surface seemed wildly out of my wheelhouse due to its seemingly comedic bent.  Well, my brain somehow managed to turn it into the story that follows.  To my friend, I apologize in advance for totally cheating on the last sentence.  To everyone else, I hope you enjoy.


FIRE

My mother always told me not to play with fire.

Perhaps it was a warning I should have heeded more carefully, but her caution only served to provoke my interest.  If she’d never said anything, I’d probably have been one of those lucky children who burn their hands on the stove and subsequently learn their lesson with no more suffering than some raw skin under a bandage for a few days.

But no, that was not to be my fate.  As I stand here, shivering, struggling to fight against the elements with no defense, I can think of nothing beyond how I arrived here.  Perhaps if I impart my tale now to the frigid winds, the words will float back in time, to my young mind as a proper warning, or forward into the second thoughts of mothers who first think to instill temptation into their children.

What no one ever tells you is that there are many different kinds of fire, and they all burn in their own special ways.  There is a very specific name for the species of fire that would be my downfall.  Its name was Woman.  I never knew her given name.

I’d seen men watching her, but it wasn’t until she looked into my eyes for the first time that I understood why.

She’d come to my master’s shop while he’d been out.  I was apprenticed to a blacksmith, much to my mother’s chagrin.  The skies were threatening snow that day.  People pulled their clothes tight around them, as if doing so would somehow protect against the biting cold.  But she did not cower.  She walked as if it were a spring day, and the wind rewarded her, playing with her hair, which was black as night, perfectly disheveling it like a lover would, obscuring her face but hiding none of her beauty.

She entered and closed the door behind her.  With one toss of her head, her hair parted, and her eyes locked onto mine.  They were blacker than her hair, and I could not look away.  And then she smiled, and something in them flashed, and I felt as if my very bones were on fire.  My vocation had given me a tolerance for heat, but this was like nothing I’d ever felt.  To this day I cannot remember if she spoke a word, but I understood her perfectly.  Her cauldron had rusted through, and she needed a new one, a stronger one.  I told her I’d see to it personally, as if this would impress her.  She smiled at me again, and then left.

After that, I was always looking for her, every moment of every day, and even worse at night.  Always burning.  As the years passed, the height of my obsession grew with the height of my body.  Everyone watched her, but I watched her best.  Sometimes at night, I would see her through my window, leading a man down an alley.  And she would see me.  I would not look away — I don’t even know if I could have — and she would hold my gaze, smiling as if she knew my most secret thoughts, until she disappeared into the dark with her conquest.  Some nights I was convinced I’d wake up nothing more than a pile of ash.  Some nights I would have welcomed such a destiny.  Anything for relief from the fire.

Finally, I could take no more.  I would either consume the source of these flames or I would be consumed by them entirely.  As soon as night fell, I ventured out.  It was the dead of winter, and the ground was white, but I felt nothing but heat.

I hurried toward the alley where I’d seen her take so many men.  It never occurred to me to consider whether or not those men had ever returned.  My mind could only think of her.  I turned the corner into it and stopped in my tracks.  There at the end, she waited.  She smiled, and her eyes flashed.  The fever was unbearable.  She put a finger to her lips, and then it was outstretched to me, beckoning me toward her.  I stepped forward, and she stepped back.  She said nothing, and yet I understood.  I followed without any thought at all.

We wound our way through the darkest streets, her eyes always alight, my soul threatening to incinerate me from the inside out.  No matter how fast my pace, I could never catch her.  I never hesitated once, not even at the edge of the forest.  While mothers warned of fire, fathers warned of this place — always dark and full of spirits, they said.  A picture from a storybook flickered in my mind — a fairylight leading a man toward an unseen cliff — but it was quickly snuffed out by my blazing heart, so bent on catching its only desire.

She was so far ahead of me now.  I was broke into a sprint, terrified of losing sight of her.  I had only the now-constant glow of her eyes as my compass.  Suddenly, I found myself in a clearing.  In my surprise, I stopped.  The moon illuminated the land, all I saw was her.  Standing mere paces away, she waited.

I took a step toward her, but this time she did not move.  Another, and still she remained.  I continued until I could have reached out and touched her, but I was too afraid.  She smiled, and her eyes blazed orange.  She embraced me, and her lips found mine.  The heat up until now had been nothing.  Her fire engulfed me, scorched my very being.  Never had I imagined such torment and such ecstasy.

And then, at the brink of what I was sure would be my complete incineration, everything suddenly, inexplicably, went cold.  I opened my eyes.  She was gone.

The wind cut through me, and I reached to pull my shirt up around my neck, but my hands found nothing.  I looked at my arms and saw bare, blistered skin.  My eyes travelled down my torso and to where my shoes had been.  There I saw my bare feet, and under them nothing but ash-covered ice.

I searched the landscape for her but found nothing.  Not even my own tracks remained.  I realized I was standing in the dead center of a frozen lake, surrounded by snow-covered trees in every direction, with no indication of the one from which I’d come.

And here I remain.  How I long for that excruciating fire now, the fire that brought me here, to the middle of nowhere, naked and slowly freezing to death.  I try to recall her embrace, to draw some of the warmth from my memory, but I feel nothing but pain.  My only comfort is in knowing that soon, very soon, I shall feel nothing at all.


© 2011 Elizabeth Ditty

[short fiction] The Knight & the Dragon

THE KNIGHT AND THE DRAGON

Once upon a time, in the sort of land now remembered only in fairytales, there lived a dragon.

She was a curious creature, both in nature and temperament, and she was the only one of her kind.  From the moment her snout cracked through the shell and the light first glinted in her eye, she was on her own.  But she was not sad, because she knew no other way to exist.

She grew up prancing with butterflies and dancing with birds until one day a new creature came upon her.  It was the sound of the metal covering his boots against the rock that caught her attention.  What held it was the spear he carried in his right hand, the staff ornately carved and its tip polished to a brilliant shine; she thought it beautiful.  Not knowing any better, she approached.  She did not understand his expression — eyes wide, mouth slightly agape — and so she did not anticipate his action.  He jabbed the spear into her shoulder.  She cried out, and the combination of the pain in her body and the pain in her heart sent flames shooting from her nostrils and throat.

She curled herself into as small a mountain as she could, nursing her bleeding wound, while the cruel creature burned.  She had not known she could do that.  She had not known she would need to.  The trees around her burned as well.  She turned away in shame and closed her eyes, knowing the companions of her youth would visit her no more.  Her tears fell to the ground and turned hard.

She did not open them again until that sound that had brought such destruction returned and jolted her to alert.  Another creature wore that strange expression as its eyes took in the remains of its brethren.  Its face twisted into something new — and ugly.  The dragon twisted her own face to match it, and she felt the smoke escape her nostrils.  The creature raised its arm and with it another spear.  The dragon raised her head.  She breathed out.  The creature was dead.

Next time she would be better prepared.  She stole the ashen metal from the creatures’ bodies and channeled her fear and hate into the heat necessary to mold the pieces to her body.  Every time a new creature came — and they always did — she added to her armor.  Only one place remained uncovered and unprotected, though it was not for lack of materials.  The clearing was littered with extraneous sheets of metal, and on days when the creatures did not accost her, she fashioned it into wondrous approximations of nature.  Surrounded by blackened bark and trees of iron, their limbs inhabited by strange winged creatures who never moved but always stared, the armor-clothed dragon was a fearsome and beautiful sight to behold.

The creatures who approached rarely took the time to look at what she’d created.  No, they saw her only as a force of destruction, and so they were too bent on destroying her in return to see her true nature.  They saw only her teeth, and her fire, and the hatred in her eyes, and the memories of their lost ancestors clouded their own.  They could not see her beauty, and, quite ironically, they could not see the one tiny area where she was was still vulnerable.  High on her back, a small collection of brilliant, iridescent green scales, strong enough to protect her from the elements of nature but not of humanity, gleamed when the sun hit them.  She hated them, despised them for being a reminder of the tender creature she had been, but she could not reach or twist or bend enough to cover them, no matter how hard she tried.

For years and years, the creatures came, always with stronger metals and sharper weapons.  The sound of their armor always gave them away, so thick was the silence on the days they did not come.  She had grown so tired of the sights that greeted her: the cold metal shards that had become her companions, the vicious visitors with hate in their eyes meant for her and her alone.  The smoke and heat from her own fire stung her eyes, and the ground was covered in tiny, hard orbs — the evidence of her pain.  And so there came a day when she closed her eyes from it all, letting the sounds alert her to the ever-impending dangers but rejecting the images that came with them.  And for many years, this was enough to keep her safe.  Until the day a creature approached whom she did not see coming.

This knight, if he could be called that, having weathered so few years on the earth, was different in many ways.  But he had spent most of those years watching the dragon, and he had seen many of his kind burn under her flames.  But he had also seen many other things that no one else had, for he had come to the land as a boy, a wandering child who had meant to find a village where he could settle and find work and make a life for himself, since none had been bestowed to him at birth.  But it just so happened that, on the way to a village that would have granted him all these things, he stumbled across a clearing of silver trees gleaming in the moonlight, and within them he saw a sleeping dragon.  His cloth-covered feet had made no sound, and so she slept, not peacefully, but soundly.  And because the boy was a stranger and knew no stories of the atrocities she had committed, he watched her with curiosity instead of hatred, awe instead of wrath.  And he knew that it would be a very long time, at the very least, before he would move on from this place.

He stayed alive by pilfering the supplies left by the knights who had come before him.  They always had the finest rations, a last meal fit for kings — a promise of the riches they would receive upon returning to the kingdom with the dragon’s hide.  He was certain he could have stolen into the dragon’s clearing while she slept if he’d wanted one of their discarded spears, but, smart lad that he was, he figured he stood as much of a chance with his as-yet-untested wooden bow and arrow than with the weapons of the dead.

On days when the knights came, he watched the battles, taking copious notes in his mind whilst never doubting the outcome.  On days when they didn’t, he gathered supplies, ate his meals, and practiced with his bow and arrow out of earshot.  His nights were spent watching: the rise and fall of her breath, the dark vapor from her nostrils, the occasional clink of a tear to the ground — and, most curiously, the patch of iridescent green in the sea of armor on her back.  And so it was that the boy grew tall and grew strong and grew into a man.

An age had passed since the dragon’s birth, and the knights of the land, having grown tired of death, had begun to choose other ways to test their bravery.  Finally a day came when it had been so long since a knight had tried his luck that the boy would soon have to move on without their abandoned rations.  He thought of the knights and their hopes for their quests here, and he knew what he had to do.  As the sun fell beneath the horizon, he tiptoed toward the dragon.  She did not hear, did not move, did not see, did not suspect.  It was not until she felt the prick of metal against her back that she knew someone was there.  It had been so long since anything had touched her that her eyes flew open involuntarily at the shock of it.  There this peculiar knight stood, his bow drawn, and the arrow poised to pierce her flesh, to end it all  — her work, her anger, her suffering.  She was so tired.  Her fire had gone out.  She lay her head down on the ground and closed her eyes for what she was certain would be the last time.

When the point of the arrow was withdrawn, she thought for a moment it was done.  She chanced a peek.  The knight — was that what he should be called?  His armor was barely more than rags, and his weapon would burn so easily.  Whatever he was, he stood now with his back to her unarmored spot, his weapon not drawn but ready, pointed not at her but out.  He looked to her, and for the first time she looked into the eyes of one of these creatures and saw something other than fear or hate.  This emotion was just as fierce, and in some ways just as terrifying.  She did not know what to call it or how to feel.

Before she had decided, he reached out a hand, bare-skinned, and placed it on the smooth scales of her true body.  She flinched, but his hand remained, resting firmly on her back.  His expression intensified, and, though she couldn’t understand it, she gave way to it.

Others still came from time to time, having heard the legend and hoping to reap the promised rewards.  What they found was not what they had expected.  The silver forest was there, but it was surrounded by green.  The armored dragon was there, but she did not spit flames in their direction.  And next to her, always, stood a man, his bow and arrow ever ready, offering them a meal given by the forest and cooked on a fire created by his companion, before sending them on their way.

They left with no guarantee of riches, but instead with the notion of having taken away something much more valuable, though few were ever able to figure out exactly what it was, let alone how to explain it.  And so the legend faded into the mists of time, existing for a while in the memories of old men as they warmed their withered hands by dying fires, and finally only in the dreams of curious children, cocooned in warm blankets against the coldest of nights.


© 2011 Elizabeth Ditty

Austin-Bound

Much to my shock and delight, I found out Wednesday that I’ve been named an Austin Film Festival Screenplay Competition semifinalist for ‘TIL DEATH PARTS US.  That evening, I received a congratulatory phone call from the festival folks, during which I was informed that I was one of 18 semifinalists out of more than 2500 entries in the comedy category.

I’ve been truly impressed with everything AFF does for its semifinalists, and I’d already been toying with attending the festival anyway. So, in October, I’ll officially be heading to my very first bonafide film festival. I rotate between being super excited, and super nervous, and totally overwhelmed by the opportunity to see and perhaps even meet not only industry professionals but legends.

So it’s going to be a busy couple of months to say the least. I’m still in post on STILL, I’m back at work on a new spec script (and putting it here makes it official, so feel free to guilt-trip me about it), I’m taking the GRE in less than two weeks, I’m heading to New Orleans for a quick tourist excursion at the end of this month, and then I’ve got AFF toward the end of October. After which I will promptly collapse for a few days before I hopefully drag my brain into NaNoWriMo.  But it’s all wonderful, and this is the kind of busy I can get behind.

Finally, congrats to all the folks who made the second round & to my fellow semifinalists.  If any of you out there are also attending the festival, let me know so we can say hello!

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